About Me

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Toronto, Ontario, Canada
Wild Card, 2006. Winner of "best oral sex scene" - Scarlet Magazine. Amanda's Young Men, 2009. Excerpted in Scarlet Magazine; Juicy Bits. Sarah's Education, 2009. Hit the #1 spots on Amazon.co.uk adult fiction & adult romance best seller lists. Jade Magazine bestowed the best cover art, 2009 award on Sarah's Education. "Get Up, Stand Up!" which appeared in The Cougar Book (Logical-Lust) won me the title 'Story Teller of the Year 2011' at The Erotic Awards, London, UK. Sarah's Education took the #3 spot on a list of the 30 most titillating titles of all time, as reported in English Daily Mail ;Female; Nov. 12, 2012. Debutante, a petite novel for e-publisher Imprint Mischief, (Harper-Collins) pubbed in 2012. I tutor writing students and am a member of the WGC. D.M. Thomas said: Madeline Moore writes great sex without metaphor and that's not easy to do. Kris Saknussemm said: You're a good egg, Madeline Moore. I am a good egg who writes great sex without metaphor! Yippee!

Monday, 27 October 2008

Halloween Giveaway



We ain't scared of no ghosts! In fact, at Lust Bites, we're woooooooooing them!

Starting Wed. October 29 you will have one week to write us a sexy, spooky story of no more than 200 words. The deadline for submission is Nov. 5. First prize is a bunch of sexy books, second prize is one copy of Lust at First Bite, and third prize is also a copy of Lust at First Bite.

All the details are at Lust Bites!

Don't miss out on a chance to win!

Tuesday, 21 October 2008

Felix on Lust Bites



This week on Lust Bites, my own true love, Felix Baron, joins us. On Wednesday, Oct. 22, Felix submits to an interview and lets us peek between the covers of his Nexus novels Dominant, Sweet as Sin, and The Persian Girl. One lucky commenter will win a copy of his novel Dominant,and another lucky commenter will win a copy of Sweet as Sin.

On Friday we'll feature a couple of excerpts from The Persian Girl, available now in the UK and for preorder in the US. This is a bawdy adventurous story featuring Sir Richard Burton. It's my favourite of Felix's novels, and one lucky commenter will win a copy of it.

Don't miss out on your chance to own Dominant

,


Sweet as Sin



or The Persian Girl,




all Nexus novels penned by Felix Baron.

See you at Lust Bites!

love Madeline

Friday, 3 October 2008

Diet for Writers

Join me at Lust Bites on Monday, October 6, for a fun look at the special needs of writers who try to lose weight. My sources are a tad unusual and my conclusions a wee bit weird but that's not surprising - I'm talking about writers!



yuck! what is this stuff? Mung beans comes to mind...

Here's a recipe from 'The CanLit Foodbook, which is featured in today's blog on Lust Bites The introduction is by the editor, Margaret Atwood.



Michael Ondaatje's Grapefruit

The grapefruit is appropriate for poets, who can meditate on its roundness and yellowness, but also for novelists, who can describe the way the juice squirts out into your eye. Hence it is the perfect fruit for all-rounder Ondaatje, who scorns the addition of sugar.

1 grapefruit, chilled

1. Cut a chilled grapefruit in half. This is more difficult than you think, as
grapefruits are not symmetrical.

2. Run a grapefruit knife around the inside of the skin.

3. Cut individual segments out from the centre.

4. Eat with spoon.



Do you diet? Are you there?

Tuesday, 16 September 2008

Leonard Cohen

I hope you've already been to Lust Bites today (Wednesday, September 17), where my 'Crush Wednesday' post is all about Leonard Cohen. If not, go here now and join in the fun!




My Leonard Cohen anecdote:

It was the first time Leonard had played Canada in ten years. He was appearing at Massey Hall. But - how to afford tickets? My husband and I just didn't have the cash.



My good friend, who has a marvelous Leonard Cohen anecdote of her own, was listening to the radio and heard the announcer say that the first person to phone in with the correct name of the Cohen song he was playing would win two tickets to the concert! She listened to the song - and had no idea of it's name.

Undaunted, she phoned in anyway. 'My friends are huge fans,' she said. 'You have to give them these tickets!'



The announcer was having problems. No one knew the name of the song. He told her the name and said, 'Call back and if no-one's called in with the correct name in the meantime, I'll give you the tickets.'

No-one did, she called back, and won the tickets for us. Thank you forever, my friend!

The evening of the concert I was in a quandary. Not about what to say to Leonard, when we met, as I'd already memorised a number of witty, intelligent, artsy comments that would show him how worthy I was of his company. No, the question at hand was - Should I wear my glasses, the better to see Leonard in concert? Or my contacts, so that after the show, when we met, as we were fated to do, I'd be a prettier face for Leonard to focus on?



Since my memory of the concert is a dark, satisfying blur, I think I must've gone with the contacts. Oh the concert was spectacular. We were a bit late arriving, so as we walked in, Leonard was taking the stage. We arrived to applause. Our seats were fabulous. The music was divine. When it was encore time, I merely whispered,'Joan of Arc' and, as if he heard me, he whispered back the first lines of that ethereal song.




And then it was over. John and I joined a hopeful throng gathered around the stage doors. We waited for a long time, then a line of musicians exited. No Leonard. Finally a big ol' roadie stuck his head out and said, 'He's gone, folks. He's not coming out.'

I could hardly believe it. As John and I walked past the front of Massey Hall, I tried to console myself. Why feel bad about not meeting him? The concert had been everything I could've hoped for. Why cast a negative light on a perfect evening. But, I'd been so sure...

John nudged me. I glanced at him. He jerked his head to one side. Leonard Cohen was walking beside him.

Oh God! We reached the cross walk. Don't walk. The four of us (Leonard was with a big male companion, likely a bodyguard) stopped. John turned to Leonard. 'It's so good to have you back, Leonard' he said. They shook hands. John introduced me. We shook hands. I shook. 'Leonard,' I said, 'I love you.'



The light changed and Leonard went first. We watched as he strolled down the street with his pal. Suddenly, he paused, glanced over his shoulder and gave us the thumbs up.

It was as if we'd been blessed.



Sometimes I still laugh at what I said when I met Leonard Cohen. But truthfully, I think it was perfect.
We didn't have a lot of time to chat, and I spoke honestly, from the heart.




My Best Friend's Anecdote:



She was living with a musician who worked in musical theatre. One night, after the show, the cast and friends were hanging around the theatre, trying to decide what to do. It was late, probably after 1 am.
'What do you want to do?' 'I want to go for Chinese food.'
'What do you want to do?' 'I want to go home.'
'What do you want to do?' 'I want to get high.'
And then it was her turn. Her answer to, 'What do you want to do?' was simple. 'I want to meet Leonard Cohen,' she said.

The gang settled on a visit to an after hours bar. It was small, crowded, dark. At the bar sat a solitary figure - you guessed it - Leonard Cohen.

Of course, she had a terrific opening line. She sat down on the stool beside him and said, 'I told my friends earlier on this evening that I wanted to meet you, and here you are.'

They chatted for about half an hour, then Leonard left.

She's an angel, (Do you know anyone who would decide to win tickets to a Cohen concert for her friends, and actually give up the tickets once she had them in hand?) and miracles happen in her life.

Monday, 25 August 2008

Check out my post today on 'Writing for Film'




Today, on Lust Bites, I blog on 'Writing For Film or, Any idiot can make a movie.'
Come on, you know you want to join in the fun!



I'll be talking about McCabe and Mrs. Miller, a great movie by the late great Robert Altman.

The script most used to talk about writing scripts, Chinatown, also gets discussed - in a quote from by Robert Towne, the writer of the script.



The movie that really blows the socks off movies about writing movies also gets a thumbs up and a little coverage from yours truly. I'm talking about Adaptation.



There's helpful hints on how to weed the lunatic wannabe producers from the real ones, and annecdotes from my personal history as a writer for film.

Join in. The party's already started!